Obscure Holidays: Star Wars Dayby Anna Sandy · May 04, 2015
May the Fourth … be with you! Who could be surprised that today is nothing other than Star Wars Day? Simply saying the date brings to mind the iconic catchphrase.
I’ll be honest—I am one of the few people on the planet who has never watched Star Wars (or Star Trek, for that matter.) However, even I know the basics about the epic space opera set in “a galaxy far, far away.” Written and directed by George Lucas, Star Wars was first released in 1977, and quickly became a lasting cult classic. It has infiltrated pop culture- grossing massive amounts of money, launching careers, influencing the media business, and spawning a massive franchise. I know about the good Jedi fighting the evil Sith. I know about Princess Leia and her two braided buns. I know about Han Solo and Luke Skywalker, and I know that Darth Vader said the famous line, “Luke, I am your father.” I know that the film is a sci-fi version of the beloved “good versus evil” storyline. I also know, after writing this, that I should probably take the summer break as an excuse to finally watch the Star Wars trilogy. Perhaps that would be the perfect way to celebrate Star Wars Day- with a bowl of popcorn and the first of the films.
Of course, if you are one of the vast majority of people who have already taken part in the cultural phenomenon, if you have seen the movies, and know and love them dearly, than you may already know about the many Star Wars events taking place across the world in honor of today. These events consist of things like costume contests, where you can dress up as your favorite character (those braided buns? a hairy Chewbacca suit?), lightsaber flash mobs, or parties at various museums and space centers, among other things. If you’re more of a homebody, you could have your own Star Wars party at home with your friends. There are galaxies of opportunities (pun intended) to celebrate the Fall of The Empire!
Now that we have thought about space, cosmos, stars, and wars, here’s a poem by Tracy K. Smith that speaks for all of them.
My God, It’s Full of Stars
We like to think of it as parallel to what we know,
Only bigger. One man against the authorities.
Or one man against a city of zombies. One man
Who is not, in fact, a man, sent to understand
The caravan of men now chasing him like red ants
Let loose down the pants of America. Man on the run.
Man with a ship to catch, a payload to drop,
This message going out to all of space. . . . Though
Maybe it’s more like life below the sea: silent,
Buoyant, bizarrely benign. Relics
Of an outmoded design. Some like to imagine
A cosmic mother watching through a spray of stars,
Mouthing yes, yes as we toddle toward the light,
Biting her lip if we teeter at some ledge. Longing
To sweep us to her breast, she hopes for the best
While the father storms through adjacent rooms
Ranting with the force of Kingdom Come,
Not caring anymore what might snap us in its jaw.
Sometimes, what I see is a library in a rural community.
All the tall shelves in the big open room. And the pencils
In a cup at Circulation, gnawed on by the entire population.
The books have lived here all along, belonging
For weeks at a time to one or another in the brief sequence
Of family names, speaking (at night mostly) to a face,
A pair of eyes. The most remarkable lies.
Charlton Heston is waiting to be let in. He asked once politely.
A second time with force from the diaphragm. The third time,
He did it like Moses: arms raised high, face an apocryphal white.
Shirt crisp, suit trim, he stoops a little coming in,
Then grows tall. He scans the room. He stands until I gesture,
Then he sits. Birds commence their evening chatter. Someone fires
Charcoals out below. He’ll take a whiskey if I have it. Water if I don’t.
I ask him to start from the beginning, but he goes only halfway back.
That was the future once, he says. Before the world went upside down.
Hero, survivor, God’s right hand man, I know he sees the blank
Surface of the moon where I see a language built from brick and bone.
He sits straight in his seat, takes a long, slow high-thespian breath,
Then lets it go. For all I know, I was the last true man on this earth. And:
May I smoke? The voices outside soften. Planes jet past heading off or back.
Someone cries that she does not want to go to bed. Footsteps overhead.
A fountain in the neighbor’s yard babbles to itself, and the night air
Lifts the sound indoors. It was another time, he says, picking up again.
We were pioneers. Will you fight to stay alive here, riding the earth
Toward God-knows-where? I think of Atlantis buried under ice, gone
One day from sight, the shore from which it rose now glacial and stark.
Our eyes adjust to the dark.
Perhaps the great error is believing we’re alone,
That the others have come and gone—a momentary blip—
When all along, space might be choc-full of traffic,
Bursting at the seams with energy we neither feel
Nor see, flush against us, living, dying, deciding,
Setting solid feet down on planets everywhere,
Bowing to the great stars that command, pitching stones
At whatever are their moons. They live wondering
If they are the only ones, knowing only the wish to know,
And the great black distance they—we—flicker in.
Maybe the dead know, their eyes widening at last,
Seeing the high beams of a million galaxies flick on
At twilight. Hearing the engines flare, the horns
Not letting up, the frenzy of being. I want to be
One notch below bedlam, like a radio without a dial.
Wide open, so everything floods in at once.
And sealed tight, so nothing escapes. Not even time,
Which should curl in on itself and loop around like smoke.
So that I might be sitting now beside my father
As he raises a lit match to the bowl of his pipe
For the first time in the winter of 1959.
In those last scenes of Kubrick’s 2001
When Dave is whisked into the center of space,
Which unfurls in an aurora of orgasmic light
Before opening wide, like a jungle orchid
For a love-struck bee, then goes liquid,
Paint-in-water, and then gauze wafting out and off,
Before, finally, the night tide, luminescent
And vague, swirls in, and on and on. . . .
In those last scenes, as he floats
Above Jupiter’s vast canyons and seas,
Over the lava strewn plains and mountains
Packed in ice, that whole time, he doesn’t blink.
In his little ship, blind to what he rides, whisked
Across the wide-screen of unparcelled time,
Who knows what blazes through his mind?
Is it still his life he moves through, or does
That end at the end of what he can name?
On set, it’s shot after shot till Kubrick is happy,
Then the costumes go back on their racks
And the great gleaming set goes black.
When my father worked on the Hubble Telescope, he said
They operated like surgeons: scrubbed and sheathed
In papery green, the room a clean cold, a bright white.
He’d read Larry Niven at home, and drink scotch on the rocks,
His eyes exhausted and pink. These were the Reagan years,
When we lived with our finger on The Button and struggled
To view our enemies as children. My father spent whole seasons
Bowing before the oracle-eye, hungry for what it would find.
His face lit-up whenever anyone asked, and his arms would rise
As if he were weightless, perfectly at ease in the never-ending
Night of space. On the ground, we tied postcards to balloons
For peace. Prince Charles married Lady Di. Rock Hudson died.
We learned new words for things. The decade changed.
The first few pictures came back blurred, and I felt ashamed
For all the cheerful engineers, my father and his tribe. The second time,
The optics jibed. We saw to the edge of all there is—
So brutal and alive it seemed to comprehend us back.