by Caroline Crew · September 24, 2018
Kiki Petrosino’s third collection, Witch Wife, begins with the self-reflexive invocation, “Self-Portrait.” This poem ranges its language from the opening line’s keening question, “Little gal, who [...]
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by Candace Nadon · September 05, 2018
The stories collected in James Thomas and Robert Scotellaro’s stellar new anthology New Micro: Exceptionally Short Fiction (W.W. Norton, 2018) are all 300 words or less, [...]
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by Megan Sexton · August 22, 2018
We are delighted to announce George Kalogeris as this year’s winner of the James Dickey Prize for Poetry. His poems will be published in the Volume 19, number 2 issue [...]
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by Caroline Crew · July 05, 2018
It is fundamentally human to humanize: we find faces where there are only craters in the moon, we dress our pets in tiny tuxedoes, all manner [...]
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by Caroline Crew · May 03, 2018
Natalie Eilbert’s second collection, Indictus, is a colossus. Unyielding and reaching, the book takes as its form the long poem—poems that keep going, keep pushing, keep [...]
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by Scott Hightower · April 14, 2018
When I studied in the graduate writing program at Columbia (the Fall of 1992), J.D. (Sandy) McClatchy was my prosody teacher and—at times—my workshop leader . [...]
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